Of the many great philosophers of ancient Greece, Plato was perhaps one of the most astute thinkers. Plato’s legacy, topped only by Socrates, who was arguably one of the most intellectual men ever to have lived, is varied and covers many topics.
Plato was a classical philosopher, mathematician, and student to Socrates, and was the founder of the Academy in Athens. Along side his mentor – Socrates – and his student – Aristotle – the three are responsible for laying the foundations of Western Philosophy and Science.
Among the many philosophical works written by Plato is The Republic, which is a Socratic Dialogue from around 380BC, concerning the definition of Justice[1], and the order and character of both the Just City and the Just Man.
In this work, Plato uses allegorical imagery to present a model of reality that has been the focus of philosophical debate even up to today. Though as we’ll see, modern physics may be giving more weight to Plato’s argument than it initially deserved.
Plato’s Cave is an allegorical description of reality as Plato saw it, as a dualistic façade, wherein the observer – the self – is merely watching shadows dancing on a cave wall. The hypothetical dialog between Socrates and Plato’s brother Glaucon is one of the first examples of this type of reasoning found in antiquity, and it asserts a scenario in which, what people observe and take to be real, is actually illusion.
In The Republic, Socrates asks Glaucon to imagine a cave inhabited by prisoners who have been chained and held immobile since childhood: not only are their arms and legs held in place, but their heads are also fixed, compelled to gaze at a wall in front of them. Behind the prisoners is an enormous fire, and between the fire and the prisoners is a raised walkway, along which people walk carrying things on their heads “including figures of men and animals made of wood, stone and other materials”. The prisoners watch the shadows cast by the men, not knowing they are shadows. There are also echoes off the wall from the noise produced from the walkway.
Socrates suggests the prisoners would take the shadows to be real things and the echoes to be real sounds, not just reflections of reality, since they are all they had ever seen or heard. They would praise as clever whoever could best guess which shadow would come next, as someone who understood the nature of the world, and the whole of their society would depend on the shadows on the wall.
The repercussions of the above are clear. It is to suggest that our world, our existence, is much greater than our capacity to perceive allows. It suggests that those people who are fixed to observe the shadows cannot know the true quality of the world, since their view is hopelessly limited, and were one of those poor souls to escape his bindings, he would find himself in a state of transcendence.
This may seem like a fanciful idea, as though it belongs, reposed, in philosophy classes within our higher learning faculties. Though there are those who disagree, namely Dr. Brian Greene: physicist, cosmologist and scientific philosopher.
In his most recent book – The Hidden Reality – Greene lays the foundation for a number of ways of looking at reality through the rose coloured glasses of quantum mechanics. He uses his superb knowledge of Classical physics, string theory and M-theory to weave a tapestry of knowledge in the very idea of reality. One theory, offered late in the book relates to Plato’s Cave allegory, in an oddly familiar way[2].
It is essentially offering a paradigm shift from the school of thought that says that the focus of physics is on things – planets, rocks, atoms, particles, and fields – wherein it is suggested that the focus should be on a more abstract fundamental entity: information[3].
“[Something akin to] an architects blueprints being realised as a skyscraper, the fundamental information is in the blueprints. The skyscraper is but a physical manifestation of the information contained in the architect’s design[4].”
Thus you can start to see a glimmer of familiarity with Plato’s Cave allegory. The basis of the idea is straightforward enough, though the science of it, black holes and super-string theory is quite convoluted. Our senses are attuned to show us the physical manifestations of the basic information being presented to us in reality, but this is an illusion. The real foundation of reality is in the information itself. And thus emerges the Holographic Principle.
Greene, through the use of theoretical work done by physicist John Wheeler, who suggests that modern physics needs to begin to focus on the fundamental information rather than on things, lays out a model of reality in which our senses play tricks on us. Where what we see and feel are false manifestations of a deeper reality, one we are incapable of experiencing. Though it is one we may be capable of quantifying mathematically.
What’s doubly fascinating is the idea that Plato could have come up with such a concept in ancient Greece, with no more than his mind, and that his words ring true in certain versions of modern quantum mechanics.
Are we all bound in a cave, helplessly watching shadows on a wall, doomed never to realise the full scope of our world? Perhaps we are, but there is equal chance that our evolution will push us in new directions, slowly giving us the faculties with which we can decipher the real essence of the universe.
[1] It is from this work that I draw the quotation of Socrates -”…as for me, I know only, that I know nothing”- wherein he chastises his pupil for being too arrogant and believing his knowledge of the subject to be supreme.
[2] Brian Greene, The Hidden Reality; Parallel Universes and the Deep Laws of the universe, A Borzoi Book published by Alfred A Knopf, Chapter 9.
[3] Brian Greene, The Hidden Reality; Parallel Universes and the Deep Laws of the universe, A Borzoi Book published by Alfred A Knopf, pg 239.
[4] Brian Greene, The Hidden Reality; Parallel Universes and the Deep Laws of the universe, A Borzoi Book published by Alfred A Knopf pg 239



In the span of the last year there have been many ups and downs in the field of Bigfoot research. New films, videos and pictures have been presented, new foot impressions and even some hand impressions have been cast, some showing more promise than others of course. Some new hoaxes have been revealed and some older hoaxes have finally been exposed.
Both hair samples, when sequenced and compared to a database of animal genomes, proved to be a match to a creature long thought extinct. The samples, which are only identified as belonging to a Yeti by the people local to their discoveries, shared a genetic fingerprint with a 40,000 year old polar bear jaw bone found in the Norwegian Arctic.




Louisa Oakley Green is a talented writer. This much I’ll tell you up front. If you’ve read any of my older work, you’re likely well aware that I have little time for those who would call themselves psychic. This isn’t because I don’t believe it to be possible; I do. I just have little faith in the verity of those people who would advertise these abilities for personal gain (which is an unfortunate thing for those with genuine gifts, but as they say, it is what it is).
There’s a lot of confusion these days regarding the concept of evolution. In general terms it’s a fairly simple process, but the details can be a little harder to grasp. There are elements of the concept that are almost infamous for their wide misrepresentation by certain segments of society. One of those is the idea of a transitional species.
Oliver lived with the Berger’s for the next 16 years, when in 1977 he was handed over to a small theme park in Buena Park, California. It seems that Oliver had taken a romantic interest in Mrs. Berger and had become a danger to her after several attempts to mate with her. The next 21 years of his life had Oliver being showcased as an oddity of the natural world and used as a test subject for scientific and cosmetic research, until he was retired, so to speak, with the primate sanctuary Primarily Primates in Texas in 1998. At that point he was largely blind and terribly arthritic, but conservationists and rehabilitators provided him with a comfortable existence until his death in 2012.
There are many problems with this idea though, not the least of which is the fact that all species are transitional, so the term is functionally meaningless. When you look at the fossil record for any particular species, it is impossible to determine where along that spectrum of evolution a parent species stopped being what they were and began being what the child species ended up being. The child of a chimpanzee is always going to be a chimpanzee, except when you look at several hundred or thousand generations. Then you can see a slow progression from the parent species to the child species, but no one example from the progression can be singled out as a distinct species among its neighbours in the line.
The argument was settled in 1996 by a geneticist from the University of Chicago, who revealed that Oliver had 48 chromosomes, not 46 like humans, which is consistent with all other chimpanzees. Further study revealed that his facial features were in line with the standard range of variability shown in the Common Chimpanzee, and that his behaviour and habit of walking upright was an aberration brought about because of his exposure to such behaviour in his early life and his lack of chimpanzee companionship throughout his life.
One of the all-time most popular posts on this blog is also one of the earliest. It’s about the famed and mysterious
Most of the images in the Voynich Manuscript appear to be botanical in nature, with a few being geometric oddities and others being representations of humans and other animals in various poses and scenes.
The Voynich Manuscript’s enigmatic past has been a cornerstone of the story and a big reason it’s become so popular among the Fortean crowd, not to mention scholarly circles. That past seems to have been shattered by this discovery, but it’s not all bad.
Mankind has had a long-standing obsession with death. We have philosophised over its implications and the possibilities brought about through its transition. Whole canons of literature have been written, expounding on its beauty, its finality and its mystery. All of our religions are founded on the idea that something exists after death and they each prescribe the sometimes very elaborate and ritualistic methods we use the world over for the treatment of the deceased.
The earliest evidence of ritual interment was found in a cave called Es Skhul in Israel, on the slopes of Mount Carmel. Discovered somewhere between 1929 and 1932, the find at Skhul proved fruitful in anthropological terms, bearing 10 full human skeletons – seven adults and three children. The bones were covered in a red ochre and were accompanied by a variety of grave goods, from specific animal bones, like a boar’s mandible, to marine seashells. The remains and artefacts were dated to between 81,000 to 120,000 years old, and further study revealed that the skeletons were of a people who were the first to have the anatomical tools necessary for speech.
Since then, we’ve complicated and serialised the process of dying. We’ve built monuments to commemorate it and churches to celebrate it. Today in America, death is a $15 billion industry, not including gravestones and monuments. Of the over two-and-a-half million people who die in the United States annually, a number that rises every year, more than half of them end up in a coffin or casket that ultimately gets buried in a cemetery plot. The rest are either cremated (and sometimes also buried) or are used for scientific or educational purposes.
Sagada is a region in the Mountain Province of the Philippines, and in this area, as well as parts of Indonesia and China, local peoples have for centuries been hanging their deceased loved ones in ornate coffins from the mountain cliff sides. This is a tradition that originates with the ancient Bo people of southern China, and is still practised today.
The deceased would often be dressed in family colours and would be interred with spiritual belongings, and would traditionally be forced into a fetal position before the coffin was sealed. The dress and position, combined with the hanging of the coffin was believed to bring the deceased closer to heaven and offer a good vantage point from which to watch over their survivors.
Soon after boarding, however, a mysterious fire broke out and forced the investigating crew off of the boat. Once safely back aboard their own ship, the crew then watched as the Ourang Medan burst into flames, exploded and eventually sank to the bottom of the South Atlantic Ocean.



